Those who avert this are Guiv (from The Graphic Novel), and Dastan (from the 2010 film). Yes, almost every single one of his iterations is nameless. The Prince is the main protagonist, but he is never named except in The Movie, and several of the games have the majority of characters go unnamed. Alternatives were being run through by enemy swords, impaled on spikes, and hitting the bottom of deep pits with a skull-cracking smack. The original game alone memorably had nightmare-inducing clanging metal jaws in mid-corridor that guillotined you in half if you mistimed stepping through them. The Many Deaths of You: The above-mentioned selection box of unpleasant exits gives rise to an exciting assortment of death animations.Fortunately often overlaps with Benevolent Architecture, or else you'd never get anywhere. Try spike pits, buzzsaws, sets of scimitars on revolving axles, collapsing floors, crushing rams, bladed pendulums, and enormous drops - many of which may be found combined as death courses. Malevolent Architecture: Horrible splatty demises are freely available in most localities even without you encountering any enemies.The 3D games starting with Sands of Time popularized this concept. Le Parkour: The Prince relies on his acrobatics to navigate the environment and solve puzzles.Leap of Faith: Used several times throughout the series, such as with an unlabeled potion in the first two games (it turned out to be a slow-fall potion), to a daring leap in the second game off a ledge into the next screen to land on a horse statue (which promptly comes to life).Dialog During Gameplay: From the Sands of Time trilogy onwards, also in the 2008 reboot.Death Course: Why Le Parkour is sometimes necessary.Timing a block correctly in Prince of Persia (2008) leaves an enemy open to attack.
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The effects of successfully countering an opponent change because of the Free Form Fighting system, but they will always give the Prince an advantage. Also used in the sequels Prince of Persia: Warrior Within and Prince of Persia: The Two Thrones.Successfully countering a sand creature knocks them down and leaves them open to be Retrieved. Luckily, the Prince can counter the counter of his counter, which can itsef be countered, and so on and so forth. Beware, however, since some sand creatures are capable of countering the Prince's counter. Prince of Persia: The Sands of Time uses this heavily.One of the enemies actually utilizes this tactic himself, and will not attack until the prince attacks him first. The most common fighting tactic in Prince of Persia is to wait for the opponent to attack, then defend and counter the attack.Charles Atlas Superpower: All the incarnations of the Prince are inhumanly agile.Which is lucky, since there's a distinct imbalance in the ratios of really-high-places to staircases/ladders/jetpacks, smooth stable floors vs. Benevolent Architecture: An uncanny amount of the scenery is implausibly handy for jumping/climbing/hanging/swinging/ free-running around on.
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